Showing posts with label TV. Show all posts
Showing posts with label TV. Show all posts

Character work

I don't watch a lot of television, but in order to keep up with the sites Half Deserted Streets and Your Beard is Good, I've been asked to come up with a list of my five favourite characters currently in shows currently airing. Turns out: 


a) I don't watch many dramas.
b) I watch a lot of shows that don't have characters. (The Cougar is not a character).

So here's my list. 

1. Tracy Jordan, 30 Rock: Who Dat Ninja? The character has nothing at all to do with the actor. Nothing at all

2. Maurice Moss, The I.T. Crowd: It's not currently on, I know, but it will be back. And Moss is the flippin' greatest. One time, when expressing surprise, he said "Chairman Wow!" And Richard Ayoade is also great as Sabu on the Boosh, or as a music video director



3. Ron Donald, Party Down: Party Down airs on the Starz network, so nobody watches it. Pity, because it's really, really funny. And Paul Rudd is involved! Ken Marino plays Ron, the boss, who would rather open a sandwich franchise and is by some distance the least functional of the entire group. I especially enjoyed the time he set an American flag on fire.



4. Kenny Powers, East Bound and Down: Again, this show has been picked up for a second season, so it'll be back. Danny McBride brought a great mix of sadness and insanity to the past-his-prime baseball star demoted to teaching school kids physical education. The intro alone is enough to draw you in. 

5. Nelson Muntz, The Simpsons: Schadenfreude. 

The drug of the nation

I don't really watch a whole lot of television. At this point, I should stress that I'm not one of those insufferable pricks that looks down on the medium and brags about only reading Mamet plays and drinking Belgian lagers. I don't watch a lot of television because I'm a law student, and that means I'm mostly reading about (this week): trademark ineligibility based on disparagement, women's rights to work, government-sponsored speech and administrative review of consulate decisions. I'm sure you're all very jealous of my rock star lifestyle.

And yet, this past Sunday I managed to be excited about four different shows. This never happens! First up, was The Simpsons. The premiere of their 20th season. As you know, I'm an apologist and I was at least a little bit excited for the new episode, but ended up very disappointed. Homer and Marge both get new careers for the sake of it, not too many funny lines, good gags over-explained. They billed Julia Louis-Dreyfuss' guest spot as a big deal, and she had precisely one line. Best part? Flanders surprising himself by knowing the entire Old Testament. Also, the ending to this episode came off as exceptionally abrupt and unsatisfying. I hope things pick up.

Watching Entourage is now more of an obligation than something to look forward to. And sure enough, this latest episode hit all the buttons - Ari yelled and swore, Turtle didn't do anything, Drama was awkward and then embarrassing, Vince was boring, and E was E. There's the potential for E to make a choice between his own best interests and Vince's, but they're getting to that so slowly. So very slowly. If you've never seen the show before, this is all you'll ever need to know.

HBO then turned out two brand new shows. Little Britain USA was sort of like Little Britain but a little tamer. I've always found the show funny for about ten minutes and then grating. It's amazing that they've managed to stretch three series (four, now) out of one-note characters like Lou and Andy, or even Vicki Pollard. For this series, they've brought in some new characters, and of them only grumpy astronaut Bing Gordyn hit the right notes in the opener. Oh, and the evil dog was quite funny. There's a great Rosie O'Donnell joke to be made here, but I'm not that mean - her cameo was good, too. But even for LB, there was an over reliance on fat and gay jokes. And we didn't even get to the only gay in the village yet...

(Incidentally, notice how the banner on the HBO site: i. said "series" instead of "season", and ii. misspelt Britain)



Finally, there was The Life & Times of Tim which has nothing to do with the Replacements album. Didn't know much about this one beforehand, and it really wasn't about anything. Just a dude and his situations. It was funny. He tries to pay a prostitute with meatloaf. His co-workers are equally bland but in completely opposite ways to Tim. Also, there are gay-rape jokes. As a lightweight source of easy laughs, '...Tim' might become a staple of Sunday night viewing.

Oh, and while I'm here - I did like the new Chris Rock special Kill the Messenger. A lot of the material is what you'd expect from him - black and white people are different, men and women are different - but there was some nice political material in there. Like "John McCain is so old, he used to own Sidney Poitier." I did think that it was a poor choice, though, to splice the show from three different live performances, so mid-sentence his outfits would change, and sometimes we'd get the punchline three times in three different cities.

Stay Frosty

Like I said before, I'm very new on the 'The Wire' bus. So far, I've still only seen the first series and with a new year of law school starting up today, I may not have the time to get more into it for a while. One season was enough, though, to make me interested in seeing Generation Kill, the new miniseries from the same creators, David Simon and Ed Burns, as The Wire. It's well established that recent films about the Iraq War have underformed, but seven hours of TV from these guys was bound to be better. And oh man, it was better. Best thing I've seen all television all year, and though I don't watch a lot of television, admittedly, it's still high praise. I was waiting for the show to finish its 7-episode run, which it did last night, before writing about it.

The show, about a Battalion of U.S. Marines arriving in Iraq at the start of the war, and leaving at the end of the war, is based on a book. The guy who wrote the book, a Rolling Stone journalist named Evan Wright, is played in the series by Lee Tergesen, who is interesting to me because he played Terry ("I love you, man!") in Wayne's World. Winner.

Characters, dialogue, camaraderie, dissent, authority, guilt, liberation. 'Generation Kill' had everything. There were signs of the ineffective command, from the commanders more interested in getting medals and honours for their bravery than the well-being of their men. The main authority figure is called the Godfather, and at the end of the series has a rare moment of self-awareness and depth. There are leaders who are terrifyingly inept, like the trigger-happy Captain America, whose carelessness gets two of his men suspended. Among the lower-ranked men, there's plenty of characters as well, like Ray, who talks and sounds like Randall in Clerks, and leads the group in a big 'Teenage Dirtbag' singalong in one early episode. There are guys who are just there to kill, and there are those with more of a conscience, whose guilt wracks up throughout the series. Fick and Colbert, the two "main" characters in a big cast, have a great dynamic between one another, and are looked up to by all the men. It's really great to see how their relationship progresses as the group gets increasingly dangerous missions and how Fick has to balance doing what's right with repeated reminders to follow orders.

Interaction with Iraqi civilians is often unsettling. The group only has one translator, something which is often mentioned with exasperation. In one episode, a well educated local woman sarcastically thanks the troops for occupying her country. Other times, they just plead for food, water, medical attention, or just to not have their homes blown up. I've not been to this area, so I can't authoritatively say "Yes, it's entirely accurate and realistic", though by all accounts from those who know, it is. There are explosions, the constant dread of ambush, moments of bonding. It was just a great series. Look out for it on DVD whenever it gets a release, you won't regret it.

And here's the song that plays over the final montage.

[download Johnny Cash - When the Man Comes Around]

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