After falling for The Hold Steady about four years after it was cool to do so, I was terribly excited to go and see them live this past weekend. I’d never seen them before, due to a girlfriend’s birthday, the imminent Florida Bar Exam, and the simple fact that they rarely come down to Florida. So when they announced two nights (two!) at a smallish venue only a short drive from my house, I bought tickets for Saturday immediately, and after some internal debates (that’s a lie: “debates” would imply that there were points and counterpoints, and this would be patently untrue), I decided to get a Sunday ticket too. Who knows when they’ll be down here again, right? Right? You guys?!
There were some very noticeable differences between both shows. On Saturday, it was sold out, the (party) pit was absolutely crammed, it was incredibly sweaty, the crowd tossed a beach ball around for a while, and the atmosphere was amazing. On Sunday night, there were fewer people, it was easy to get a good spot near the front, and the crowd was a little more relaxed. The band probably noticed this: Sunday’s set featured a lot more deep cuts and non-album tracks. It was fun to hear ‘You Gotta Dance With Who You Came To The Dance With” and “Girls Like Status” and “Goin’ On A Hike”, even if only about six people in the house knew the latter. (I’m not one of the six, I’m sorry to report).
Considering many people find the band’s newest record disappointing, the songs from it were received very warmly. On Sunday, ‘Barely Breathing’ had everyone dancing while ‘We Can Get Together’ had everyone swooning. I’m still not sure what ‘A Slight Discomfort’ is about, but it does feature the word “succubae” which is pretty cool, and featured some killer drumming. The place was small enough, and the audience rapt enough, that a lot of times the intro riffs to songs would be obscured by cheering. This may be due to where we were standing, or just because people really adore this band.
I think it’s really cool that the band entirely changed their set over the two nights. Only the three singles from the new record were played both nights, meaning that I saw them play a total of 43 different songs over two shows. Massive kudos for shaking things up, boys!
One thing that was constant over the two nights, was the bloody-minded enthusiasm of the six gentlemen onstage. Again, I’d never seen them before, and it was everything I’d hoped for. Craig Finn is a joy to watch, and he dances the way I do, without all the self-consciousness that I have. As he often says, there is so much joy in what they do onstage, and it’s impossible to see them up close and personal and not feel moved. He thanked everyone for skipping the Lost finale. He introduced the band. He told us that he had been fined that day for smoking weed in his hotel room. Even if he’s starting to show his age on ‘Heaven is Whenever’, he’s still the cool older brother we all wish we had.
And those songs… holy crap. Being in the crowd when everyone’s shouting “Whoah woah” or some variation thereof is just such a fun experience. They didn’t play ‘Chips Ahoy!’ the first night, but did ‘Stay Positive’ and ‘Slapped Actress’ instead. And then, on Sunday, the familiar opening riffs of the love song about a man, a woman and a horse began and everyone went ape.
I’d say that Saturday was the better show, not just because they played more of my faves that night (‘Cattle and the Creeping Things’! ‘The Swish’! ‘Massive Nights’!) but also because I had friends with me on Saturday to share the glory, whereas I was a Larry Loner on Sunday. No matter. Both shows were fantastic – reminded me of how communal and triumphant and spectacularly fun live music can be. Come back soon, The Hold Steady.
Come back soon.
SATURDAY: Sweet Part of the City/Constructive Summer/The Swish/Magazines/Hurricane J/Stevie Nix/Multitude of Casualties/The Smidge/Cattle and the Creeping Things/Rock Problems/Chicago Seemed Tired Last Night/Lord I’m Discouraged/Our Whole Lives/Stay Positive/Sweet Payne/Southtown Girls/Stuck Between Stations/Your Little Hoodrat Friend/Massive Nights/Slapped Actress // Citrus/First Night/The Weekenders
SUNDAY: Positive Jam / Sequestered in Memphis / Navy Sheets / Banging Camp / Rock Problems / Ask Her For Adderall / Hot Soft Light / You Gotta Dance With Who You Came To The Dance With / Charlemagne in Sweatpants / Chips Ahoy! / Hurricane J / You Can Make Him Like You / Barely Breathing / On A Hike / Milk Crate Mosh / The Weekenders / Same Kooks / We Can Get Together / Most People Are DJs / A Slight Discomfort // Hornets! Hornets! / Girls Like Status / How a Resurrection Really Feels
We're not afraid / We have our faith
Sometimes actresses get slapped
The "Oh, I Get It!" Award: The Hold Steady
It's not that I ever disliked this band. I just... There's only so many bands you can listen to, y'know? And there's a lot of bands that get bigged up online. Every week there's a new one. So The Hold Steady I always lumped in as "one of those bands that a lot of people seem to love, but I probably won't get". Then I heard 'Chips Ahoy!' last year and thought "This isn't so bad" but didn't give them a second thought.
This June, there was a lot going on, and 'Constructive Summer' came out, and blew me away. Musically and lyrically and thematically and grammatically. Even though 'Stay Positive' - the album as a whole - didn't really sink in for a while, by November it was a mainstay. My lastfm page will verify this. By now, 'Stay Positive' is a staple for long drives. Woah-woah-woah! I like the horns and legal-jargon riffing on 'Sequestered in Memphis', the straightforward rocking of 'Magazines' and 'Yeah Sapphire', and especially the title track. And there's something about the Cassavetes tribute 'Slapped Actress' that always gets me. I guess they're really that good.
Double whiskey, coke, no ice
So there's a new record from the Hold Steady that you don't have to be particularly web-savant to find on ye olde internet. I'm not a particularly big fan of theirs, though this is changing with just about every song I hear, but I was keen to listen to 'Constructive Summer', if only for Stereogum calling it "the opening and arguably best track on Stay Positive". Gotta say - the song is really resonant with me, with its celebration of drinking, friends, and more than anything else, the long hot days of summer.
As it happens, I'm having one of the dreariest summers of my life. Taking classes, napping all the time, spending almost entire days at home alone, 96% of my friends are out of town... I don't mean to come off as a sad-sack, though... After all, the solitude just led me to watching the entire first series of 'The Wire' over three days. That show is fantastic! Turns out, everyone was right when they said "Best show on television".
I don't really need any excuse to get all wistful and nostalgic, but this song, 'Constructive Summer', really makes me think of the summer of 2005 - the last truly great summer I had. There's one line in the first verse - "Our songs are singalong songs" - and that recalls the song we wrote in 05, 'That Guy', which became an anthem among my group of compadres, a singalong at just about every party for three months. There was even a doo-wop remix! There's a line in 'Constructive Summer' about "Drinking on top of water towers, with love and trust that shows all summer" which pretty much encapsulates that summer of 2005. There's even a shout out to St. Joe Strummer.
Craig Finn's lyric "Let this be my annual reminder that we could all be something bigger" is particularly powerful - the summer being the lowest ebb of my year, when most people I care about have gone their own way for a few months and there's precious little to do anywhere.
For now, though, I'm loving this song, and thinking of that time we walked around the Tuscany apartment complex in Tallahassee, Florida, trying to get back Matt's santa hat, which was stolen from off his head by some drunk girl in the world's most terrible party.
Stay Positive is out in mid-July. NPR.org should have a new live show from the band posted next week.
[The Hold Steady official site / myspace]
