Some labels are best left in the closet

[There's more to Are You Gene Hackman than just the macho, testosterone-and-steroids postings that you're used to enjoying on these pages. Accordingly, here's a review of the new Sex and the City film that just opened and is sweeping the world. Of course, I'd sooner chew off my own knuckles than sit through it, so we have a guest reviewer - Lauren Gibaldi. Thanks for the review! Lapalco!]

As someone who owns every season of Sex and the City and repeat facts and trivia details as if they were a grocery list to be read off, I was actually quite tentative when I heard that they were making a film version of the popular TV show. Excited, sure, but how could they ever top the last episode?


The show ended with all four girls fabulously happy. Samantha found a man who wanted her for love, not sex. Charlotte and Harry were approved to adopt a baby from China. Miranda was happily settled in Brooklyn with Steve and Brady. And Carrie and Big were together...for the fifth or so time. Everyone was content.

The movie starts with the women five years later. Charlotte and Miranda are busy being good parents and wives, Samatha is busy being Smith Jarrod's manager, and Carrie is busy with her fourth book and Big. Admittedly, it's exciting at first, seeing the four of them together again. It's like they're old friends you haven't seen in years, everything is familiar and fun. It's just like old times.

The movie takes a serious turn early on which sets the mood for the rest of the film. Without giving away too much, considering all of this was hinted towards during the preview, there might be a wedding, might be infidelity, and might be a pregnancy. And that all might be within the first half.

There were some quips and jokes that were quite hilarious. Charlotte becomes the comedic relief and it suits her character well. On the opposite end, Miranda's sullied attitude makes her character very unlikable. Ultimately, they leave her and the rest of the girls out of the film a lot, exchanging it all to focus more on Carrie's story. The strong cast of husbands and boyfriends, Steve, Harry, and Smith, barely have screen time. That's one thing I wish they concentrated more on--the lives of the other girls.

They added in a new character, Louise from St. Louis, who becomes Carrie's assistant and friend. Although I really enjoyed her character and what she added to the film, I felt it was very out of place. What I loved about the TV show was that whenever one of the girls had a problem, no matter how big (no pun intended) or small, the others were there for them. It seemed like at times Louise was Carrie's inspiration which almost felt like she was cheating on her friends.

Truth be told, the film was enjoyable but I far from loved it. My original worries proved right, as I definitely prefer the ending of the TV series to that of the film's. It lacked the same feel that the TV show had that originally made me fall in love with it. In complete honesty, the film was daunting and depressing at times. Although you are given a decently happy ending, you're still left feeling nothing. We're so connected to these four women that when they're going through troubles, we are as well. And, truthfully, on my night off, I don't want to go through any more troubles.

The film addresses the age old question of will we ever find true love, and if we do, will it last. It's a question every woman asks herself at one time and, sadly, the film doesn't give us much advice nor insight other than to keep trying and have faith. I guess that's what the film teaches you. As cheesy as it sounds, they want you to believe that sometimes love does conquer all, even if you have to work for it. And if you have friends to share that message with? Well, that's just fabulous.

Hip Hop is Art

If your only exposure to Dan le Sac vs Scroobius Pip is their epic manifesto-slash-single 'Thou Shalt Always Kill' from last year, you're missing out, son. The duo's follow up single, 'The Beat That My Heart Skipped' was also ace, and gains bonus cool points for sharing a title with a great French film. Their new album 'Angles' is well worth a listen. 'Tommy C' is about legendary comedian Tommy Cooper and bemoans the way a lot of modern pop music focuses on beauty in a way that is banal and useless. (If you don't know about Tommy, read the wiki - it's an interesting story). Elsewhere, Pip's Essex flow recites the periodic table, updates Eminem's 'Without Me', and offers a treatise on the state of hip hop in the United Kingdom in 2008 over a very familiar beat. (Spoiler: he doesn't think it's very good). Behind the laptop, meanwhile, Dan le Sac severely fucks with Radiohead's 'Planet Telex' on the ace 'Letter From God to Man', and the band have their own slow jam with the new single 'Look for the Woman'. They have a lot of ideas, and sometimes I wished for another voice to supplement Pip's, but for the most part, 'Angles' is a solid record with something to say that you should listen to. Today!

[download Dan le Sac vs Scroobius Pip - Fixed]



[dan le sac vs sroobius pip myspace / official site]

New Primal Scream - Can't Go Back

Rejoice!

For the Scream Team's pendulum has returned to the "spazzing out and making you dance like a mental" side of things. Their last album might have been an ok collection of pub-rockers but this really is more like it. 'Beautiful Future' is out in July and will hopefully sound, like its taster single, as if a thousand rockets are in a race to explode first. It really has the frenetic energy of 'Accelerator' or 'Skull X' or a banshee.

[download Primal Scream - Can't Go Back (radio rip)]

Did the best man win?

There isn't really any reason for the film 'Recount,' about the fallout in Florida after the 2000 Presidential election, to exist. It might've been pretty interesting as a documentary, but Michael Moore covered the subject matter rather well in the first ten minutes of Fahrenheit 9/11. Of course, everyone knows how it'll turn out, so it's a bit heavy when they try and make it suspenseful.

Oh no! Gore's about to concede! But there's new information that all isn't right in Florida! Quick! Someone stop him! It's the guy with the limp who has to rush to stop him! Will he make it! He fell over! Quick! Get up!

This story doesn't really translate too well as a drama. It's a story of motions, stays, appeals, statutes, judges - and even as a law student, I found all that language boring. In one cab ride, two of the lawyers use sentences like "It's Kennedy who'll be the hardest to win over", this can't be interesting to anyone can it?

This isn't a story about people or their interactions. Kevin Spacey's turn as Gore's campaign head Ron Klain is the closest we have to some sort of dramatic back-story, and so that's played up. Acting-wise, everyone's okay. Denis Leary sort of plays himself. Laura Dern is terrific as Katherine Harris, treading the line between evil incarnate and batshit insanity. It's nice to see Tom Wilkinson and Bob Balaban work together again after the monstrosity that was 'Dedication'.

Ultimately, I suppose the film was alright - it plodded along competently. It was nice to see my old hometown, Tallahassee featured prominently; and my friend Tim got a gig as a set assistant, so fair play to him. But I just felt like it was an unnecessary exercise.

The midget's the baby's daddy.

You know that saying "Words fail me"? When something is just so stupid/brazen/incredible that nothing additional really needs to be said? Here's an example: when I was in school, my friend Tom took a class not unlike your American "Shop" class, and his work was so bad that the teacher's only grade was the comment "Words fail me." When Tom eventually passed the class with a respectable B, he photocopied the teacher's comments and put them up around the school.

There's a couple of those "words fail me" instances in the R. Kelly trial, which is currently underway in Chicago.

Firstly, from the jury selection:

When the judge asked one prospective juror about his feelings regarding Kelly, he cryptically answered: "R. Kelly may have led the Taliban in attacking us on 9-11, but you can't prove it."
Next, and this one takes the prize for word-failage, "Midget" referred to in court, as Kelly trial takes a turn towards "Trapped in the Closet" plot. That is the title of the article.

I'm going to sleep. The world is broken.

Look! There is a cow!

It's rare that I get a lot of work done in one night, but for once, today I have the time to write all the things I've been meaning to for a while. Having said that, the "Open Letter to the girl in the top-left of the picture at Hillary Clinton's victory speech in West Virginia" that I was planning is probably old hat by now, so you'll just have to guess what that would have entailed.

Anyway. Last week I managed to catch 'The Cesc Fabregas Show' - a bad idea poorly executed. I don't know if you've seen the clip of him staying cool, but it's pretty awesome, unlike the rest of this elaborate and unnecessary 'This Is Your Life' style tribute. The hosts were two comedians I'd never heard of, who weren't very funny. One of them called Mrs. Fabregas a "yummy mummy" in front of Cesc, which just seemed tasteless. There was one pretty funny sketch with Matt Lucas, and one terrible one from Paul Kaye. Cesc kept his cool throughout, though, and looked like he was taking it in good grace, despite the people coming to big him up. I mean, there was nobody more charismatic than Big Phil Senderos, Bendtner, and Paul Merson? (Arsene Wenger and living legend Mickey Thomas get free passes). Maybe it was better to actually be there - Goodplaya was, and he enjoyed himself.

In other news, I don't have much to say about last night's Champions League final. It's a pity that both teams couldn't lose, but it was a good match to watch as a neutral. It's also a pity that Ashley Cole didn't get hit by a bus. Also, congratulations to Celtic on another SPL victory tonight.That Rangers/Celtic match with the handball on the line and the Nakamura screamer and the injury time winner and the big fight at the end is probably my match of the season.

Who should I cheer for in Euro 2008?

We want punks in the palace

A Silver Mt. Zion don't fuck around. They put out a new album like two months ago. I didn't write about it at the time, but I did post a live track from it. The thing is, '13 Blues for Thirteen Moons' is only (really) four tracks long, and only the incredible, euphoric closer 'BlindBlindBlind' really hits me in the gut and makes me want to cry and thank some almighty being that I'm alive, lying in a ball screaming 'some! hearts! are! true!' until my synapses burst and I need some orange juice...

Sorry, for a minute there I lost myself.

Anyway, ASMZ are on tour now, as bands with new albums are wont to do. AND THEY ALREADY HAVE TWO BRAND NEW SONGS. This may not sound too extraordinary, but don't forget that the last album only had four songs on it. One of the new songs is called 'There's a Light', and the other 'Metal Bird' has about thirty-two segments, including one with the refrain "Dense motherfucker!" (it may be dance). Check out a boot of their Montreal show at the Live Music Archive and then join me in mourning that they don't play 'God Bless Our Dead Marines' any more.

[download A Silver Mt. Zion - Metal Bird (live)]

Girls on Bikes

Listening to 'It's Been Great', from Alan Wilkis' new album 'Babies Dream Big', I thought of the 1980s, when fashion was terrible, Indiana Jones movies were cool (more on which in a later post, I'm sure) and Prince was a badass. 'It's Been Great' sounds like Prince, with heavy bass, sassy vocals, and a general laid-back vibe that lasts throughout the record. 'Astronaut' comes off as a more sun-dried Caribou but with appropriately spaced-out sounding noises, possibly approved by NASA. The album has some moments of funk, and not always the fun side of funk, but those are few and far between. I thought of Jamie Lidell a lidell bit (where's sadtrombone.com when you need it?), with the combination of electronics, falsetto and, in someone else's words "the music to a 1970s porn video". The summer is coming - grab an ice cream cone and give this guy a listen.

Also, check out Alan and dozens of others in the Neon Coyote Summer Mix 08, by going here. Those of us waiting for the union of Britney Spears, Underworld, Lil Wayne and Born Ruffians can sleep easy at last!

[download Alan Wilkis - It's Been Great]



[Alan Wilkis myspace]

Go Rushie, Go Rushie Go!

Here are some things from this internet which you may enjoy.

  • There was a Simpsons episode recently that featured Jim Jarmusch. Wait, what? It was pretty funny, actually, and you can watch it here, or if the embed works, here.
  • If you're like me and you prefer to read the book before the film comes out and then be irritatingly self-righteous about how inferior the film was (cf The Namesake, Slumberparty Massacre 2), then you may be interested in this. One of the Christmas period's big films this year will be 'The Curious Case of Benjamin Button', directed by David Fincher, and therefore probably dark, sick and twisted. I can't wait. It's based on a short story by F. Scott Fitzgerald, which you can have read to you like a six year old, by clicking here. The audiobook is just over an hour long and it's an enjoyable little yarn. Also, it's free.
  • The new album by Elbow is ace, but you knew that already. Now, hear most of it live.
  • It's the FA Cup Final tomorrow, and I hope that Cardiff City win because of this. Helpfully, DiS has come up with a list of ten other memorable football songs. Memorable is another word for embarrassing, right? Check it now! (Spoiler alert: they left out 'Pass and Move it's the Liverpool Groove', the bastids)
  • If you've seen 'Forgetting Sarah Marshall' and you're American, you may be wondering about Russell Brand. He writes a column for the Guardian, hosts a radio show, went to rehab for sex addiction, and his stand-up is great. Here's a sample, about when he met FSM co-star Mila Kunis' boyfriend.
[download Russell Brand - Macauley Culkin]

Much ado about [ingenting]

Sure, Sweden has given us some great bands over the years, including the Wannadies, the Concretes, Peter Bjorn and John, Abba, the Soundtrack of Our Lives, Bon Jovi and Led Zepellin. But did you know that in that country, they also speak a language called Swedish? And that there are bands that sing only in that language. Fluxblog posted a song by Veronica Maggio yesterday, and that made me think, "Hey, I've been listening to [ingenting] a lot lately, and haven't got around to writing about them, so here's an excuse."

Those square brackets are very important - apparently just plain ol' Ingenting are a black metal band from neighbouring Norway. Very different. I first got turned onto [ingenting] when some music blog said they sounded like "Sigur Ros meets the Strokes". They don't. But the two albums of theirs that I have are ace. For all I know they're singing "You're a fucking moron and your beliefs and values are all dumb and you have crap hair and everyone thinks you're pretentious" but I still dig. Here are two songs from their latest record, 2006's 'Mycket väsen för ingenting'. 'Hollywood Dreams' is pure summer fun, and the other song, 'Punkdrömmar' sounds like Bloc Party or something. But, of course, in Swedish. There's a frustrating lack of info about the band on this internet, but you can listen to them over at last.fm, so I suggest you do that.

[download [ingenting] - hollywood dreams]
[download [ingenting] - punkdrömmar]



[ingenting] myspace

Go 'head switch the style up

Glow in the Dark Tour: Kanye West, Rihanna, N*E*R*D, Lupe Fiasco
Tampa Ford Amphitheater
May 5, 2008

First things first.

A bumped-up start time does no favours for Lupe Fiasco, who is on at 6pm and playing to a quarter-filled enormodome. He gives it all he's got, but cutting off the track to let the audience sing choruses doesn't really work in this situation. Still, 'Kick Push', 'Go Go Gadget Flow' and 'I Gotcha' are all stone-cold stormers, and by the time he rounds out with 'Superstar' and 'Daydreamin', everyone's on his side.

Has it really been four years since 'Fly or Die'? Even an appearance from the Madden Brothers couldn't make that album not enjoyable. Now N*E*R*D have a third album due sometime soon, and Pharrell is still wearing the American flag. There are some new songs - one of which is called 'Spaz' - a crowd-surge, and 'Lapdance'. Also, there are two drummers and - ugh - a drum off. The set was tight, the new songs sounded pretty good, 'She Wants to Move' was great, but overall I didn't think they were more than 'pretty good'.

I admit it. I don't own any Rihanna albums. But I wish I did, because her short set - seven or eight songs, one costume change - was really good. No 'Shut Up and Drive', alas, but the rest of the hits. Finished with 'Umbrella', maybe you've heard that one before.

Kanye West made my hands glow. Seriously, at one point my glowstick exploded and my right hand was covered in shiny yellow glowstick juice, which though cool-looking was probably quite toxic, so I had to run to the bathrooms, thereby missing 'All Falls Down'. Straight up, this man is Mr. Main Event (sorry, this guy). Dude puts on a SHOW. With video screens, a talking spaceship, a narrative (!), pyro, a pseudo-cover of 'Don't Stop Believin', did I mention that the talking spaceship flirts with Kanye, some weird lady-things from Jim Henson's studios, a gold belly dancer, this was not just seeing some band play in a smoky bar. Also, he played some songs.

It's been a long time since I've been to a big-scale, outdoors show. I elected to see Kanye instead of Radiohead at the same venue the following night (couldn't afford to go to both). I'm glad I made the choice I did - nothing against Radiohead, but I've seen them before, and doubt they'd have had me dancing like a twat for ninety-five minutes. Somebody give this man a medal.

Good Morning / I Wonder / Heard 'Em Say / Through the Wire / Champion / Get 'Em High / Diamonds from Sierra Leone / Can't Tell Me Nothing / Flashing Lights / Spaceship / All Falls Down / Gold Digger / Good Life / Jesus Walks / Hey Mama / Don’t Stop Believin’ / Stronger / Homecoming / Touch the Sky

[download Kanye West - Champion (live on SNL)]
[download Kanye West - Everything I Am/Freestyle (live on SNL)]




[Kanye West myspace / official]
[Rihanna myspace / official]
[N*E*R*D myspace / official]
[Lupe Fiasco myspace / official]

He is committing egocide

I had my first of four exams today. It went well, thanks. Since the next one isn't for another few days, this is a nice opportunity to write a little somethin' somethin' about the new dEUS album, 'Vantage Point', which came out this week in countries that are worth living in.

Most striking thing: there are no epics on this album. It's more concise, which has its benefits, but there aren't any songs like 'Bad Timing' or 'Roses' or 'Lets See Who Goes Down First', which start quietly and grow and grow and grow and become monsters. I'd go so far as to say, 'Vantage Point' is the first dEUS album that doesn't have any "Shoot me dead right now because that song is fucking incredible" songs. That's a shame. There are even a couple of songs which are going to have to grow on me. 'Is A Robot' is one. 'Eternal Woman' is pretty enough, but songs with spelling in the middle are always dangerous. And though I'm a sucker for kids' choirs, the closing track 'Popular Culture' doesn't do it for me. Yet.

But this is my favourite band. So of course there's plenty I love here. 'The Architect' and 'Slow' are already old friends. I wasn't too sure about the backing vocals on 'Slow' to begin with, but the album version is a little longer and more thought out, and her from the Knife complements Tom's voice well. 'Oh Your God' is relentless but more tuneful than on early listens. I really like the scuzzy guitar and deadpan vocals on 'Favourite Game'. 'Smokers Reflect' and 'The Vanishing of Maria Schneider' are pleasant enough. 'When She Comes Down' has a nice groove, and a soaring chorus.

It's not as great as I'd have hoped, but I'm certainly not disappointed. Hopefully they'll come back to the States, and more particularly, somewhere within seven hours of where I live. I'm not holding my breath. I still love dEUS.

[Official site / Myspace / Pocket Revolution]

A bright and haunted age

British Sea Power / Film School
Jacksonville Jack Rabbits
April 19, 2008

"Come on, allons-y, let's go"

Somethings never change. It's been six years since I last saw British Sea Power, and they still look more like an expedition than a rock band. Hamilton's shirt was ripped so much it looked like he'd been to the Arctic Circle and back this very day. Now, though, they're augmented by a viola player (whose look owes a lot to the Lady of Shalott) and a keyboardist who didn't get knocked unconscious which was a plus.

"There's things that we all need to navigate"

Somethings do change. In 2002, I was terrified by the brothers' Demon Headmaster stare. Now, because they have a more polished new record out, they're a little more comfortable on stage. Still very little onstage chitchat, although at one point Noble mentioned Bill and Ben, which was cute. Primary impression of the gig: British Sea Power really fucking rock. I guess the album title is a hint, but oh my. I was surprised at how heavy they were, maybe because I still think of them as the awkward weirdos they were when they first started. BSP in 2008 are polished, seamless and loud as aw'hell. 'Canvey Island' lost a bit, I thought, under walls of guitars.

Some have criticized them for not being as spastic and mental as the olden days, but you can't expect a band to be young men forever. I would've liked to have seen 'Reme
mber Me' in there, though.

"
Lakes are forming on the pockets of your brain"

Highlights? 'Atom' and its shouts of "I just don't get it!" (a common reaction to molecular physics) was thankfully stripped of its extra intro. Viola and trumpet being heard above the racket for 'The Great Skua'. The double whammy of my two fave BSP songs, 'True Adventures' and 'No Lucifer' was pretty great. They finished, as is their way, with a 30 minute+ freakout that most of the audience left during, and was really loud, and saw Noble come into the crowd, and some gymnastics, and various guests, and lots of fingers-in-ears. It was okay, but clearly looked more fun for the band than for the crowd.

lights out for darker skies / atom / oh larsen b / down on the ground / how will i ever find my way home? / waving flags / the great skua / spirit of st louis / a trip out / canvey island / true adventures / no lucifer /
carrion / a rock in

Earlier, San Francisco's Film School played a very impressive set that made me wish I'd noticed their album 'Hideout' last year. Lots of reverb, heavy MBV influence, nice tempo shifts, an attractive bass player (named Lorelei? really?) and a guitar player with a sense for showmanship. I don't know how much this would necessarily be captured when listening to their CD, but if you get a chance, go and see them play live.

Worth making a 150 mile round trip for, the weekend before law school finals start? Fuck yeah!

[download British Sea Power - True Adventures]



[British Sea Power - official / myspace]
[Film School - official / myspace]

Like a cop who needs a clue

I'll write a track-by-track for Vantage Point sometime soon. It's exam season here, that's why I've been pretty quiet lately. The different levels of ERISA pre-emption are far more interesting that writing about my favourite band's new album. Humbug.

If you have a minute, print this out, put it up somewhere in your hometown and take a picture and send it to this guy. Karl's got a head like a fucking orange.

Oh, back to dEUS - here's a video of Tom playing 'The Vanishing of Maria Schneider' in front of a mirror. Vantage Point - out next week in Europe!


Vind meer video's zoals deze op Cafe de Liefde

Jump into your grave and die

Enjoying music is not about numbers, and that's just as well, because I've probably listened to 'Alas I Cannot Swim' at least a trillion times, beginning to end, in the past two weeks. Laura Marling's debut album does everything for me. I can't really explain it. Her voice is instantly recognizable yet not quite placeable. The arrangements are terrific, with warm strings and other instruments coming and going when needed and not needed. The lyrics really get to me. Almost every song is great, but particular respeck to 'Ghosts' and 'Cross Your Fingers'. And 'Failure' and 'The Captain and Hourglass' and 'My Manic and I'. Basically, 'Alas I Cannot Swim' is a very simple album that really seeps in and I cannot get enough of at the moment. I just got out of bed, at 12.30am, while listening, because I couldn't not write about this album any longer.

All this, and I didn't even mention that she only just turned 18. Holy smoke.

Listen to the whole thing at Laura's site, or watch a live show below.

[download Laura Marling - Cross Your Fingers]
[download Laura Marling - Shine (live)] from last.fm





[Laura Marling - myspace / official site]

We cannot burn Mick Jagger

Here are some thoughts I had while watching 'Shine a Light', with precisely four other souls, on its opening night.

  • First and foremost, this is a concert movie, and as such it's a very good concert movie. I don't particularly care for the Stones, but I really enjoyed dancing in my seat. The absence of other cinemagoers probably helped.
  • The show was choreographed to death of course, but there were some cool touches - like Jagger walking through the crowd on 'Sympathy for the Devil' and guest appearances from Christina Aguilera, Buddy Guy and Jack White.
  • Never mind that the band's faces all look creaky and Mick doesn't wear men's clothes any more. Those fuckers can still play. This is definitely Keith's best film role of the last couple of years, although he wore a brooch commemorating his previous, much much worse, attempt at cinema.
  • The camera work was great - there were cameras everywhere. And the personnel was all very accomplished - some legendary cinematographers were involved.
  • It reminded of seeing recordings for Top of the Pops and The Cut with Jo Whiley, with genuinely great bands like Spiritualized, Manic Street Preachers, Busta Rhymes (!), and the atmosphere was always really awkward, because you're encouraged to be enthusiastic three or four times, but keep moving out of the way of all the cameras.
  • Speaking of - nobody in the audience looked like they were having as much fun as those on the stage. There was a narrow band of young, hot people at the front, and then a lot of sitting around. Come on, people! It's the Rolling Stones! Indoors! For charity! How about standing up?
  • Some critics have been saying "It's a good concert film from a band who already have a billion concert films... Who cares?" I can understand that, but having not seen any of those others, that didn't affect my own enjoyment.
  • Now here's my main gripe - the film wasn't too clear about what it wanted to be. It starts off as a documentary about the concert, with lots of Scorcese, his eyebrows, and the intense prep that goes into the show, but there wasn't much backstage footage. A funny bit where Hillary Clinton's mum says "Oooh, the drummer!" to Charlie, and meeting the President of Poland, is about the extent of pre-show action.
  • And then, the show is interspersed with random snippets of old interviews with the band, which don't really bring anything to the film. I mean, it's funny to see a panel discussion with fresh-out-of-jail Jagger, a bishop, a Member of Parliament and "Britain's leading Jesuit", but just throwing in little clips doesn't make it a documentary.
  • The bulk of the film is the live show, which is very entertaining - I just wish they'd not bothered trying to be more than a concert film.
  • It's a Scorcese film without Gimme Shelter in it. Wait, whaaaat?
[download The Rolling Stones - Miss You]

Everything is banal and jejune

Hey everyone - just a quick post today. I've made a muxtape with some songs from 2008 that I quite like, and hope you might, too.

It's at http://rambocky.muxtape.com and the tracklisting is:

Laura Marling - Ghosts (I really need to write about this album soon)
Guillemots - Big Dog (Ditto)
Los Campesinos! - We Are All Accelerated Readers (Album review)
Broken Records - If The News Makes You Sad, Don't Watch It (taken from the Song by Toad session)
Nick Cave and the Bad Seeds - We Call Upon the Author
Sons and Daughters - The Nest (Live)
Hot Chip - Touch Too Much
Spiritualized - Soul on Fire
dEUS - Slow
Surrounded - Safe Tomorrow Sun (I picked up this album blind, on the strength of this review)
Elbow - One Day Like This (Album review)

The kind of thing we don't talk about anymore

Out of all the possible sounds, the sirens and wailing from the beginning of 'It Takes a Nation of Millions' was NOT how I expected the new Mystery Jets album, 'Twenty One', to begin. Now helmed by superproducer Erol Alkan, the Jets have gone for a less weird second album, and while I certainly enjoyed their debut, this new one is more polished, concise and fun, without sacrificing too much of the creativity they showed before. The first half of 'Twenty One', particularly, is unimpeachably fantastic. Air raid sirens and mad synths herald in 'Hideaway', whilst 'Half in Love with Elizabeth' and 'Veiled in Grey' and short, sweet and ace. Then there's 'Two Doors Down', which sounds like ABC but more great, and with a sax burst toward the end. And don't forget the singles - 'Flakes' (still pretty) and 'Young Love,' (with Laura Marling, whose own debut album just came out and I'll probably write about soon), both of which sound good in their long-playing home. The second half of the album sees the songs getting slightly longer, and sounds a little more like the Mystery Jets we used to know and love. I feel like it veers a little off course toward the end, but for the knockout first six tracks alone, 'Twenty One' is well worth your time.

[download Mystery Jets - Veiled In Grey]



[Mystery Jets myspace / official site]
[Buy 'Twenty One' UK]

A broken collarbone and a dead meerkat

My fondness for Simon Pegg isn't much of a secret, and I thought Michael Ian Black's standup album was pretty good, so I had high-ish hopes for Run Fatboy Run, which the two co-wrote. Alas and alack, the film is a whole heap of okay. There are some funny moments, like when an old lady says "cock" and the cameos from a couple of British comedy giants (seriously, these are tall men), but for the most part it's a really formulaic romantic comedy with not much to get worked up about. Pegg falls over a lot and doesn't give it much as the lovable loser. Most annoyingly, his love rival Hank Azaria's Whit begins as a far preferable alternative, not annoying at all, and then suddenly shifts into the archetypal bad guy far too conveniently. David Schwimmer's direction doesn't really have much flair, there's Fratellis on the soundtrack, and even Dylan Moran can't save this film. I wanted to like it, I really did, but it's far too plain to warrant much more than a shrug and a chuckle.

Like the first cigarette of the day

A lot of things are currently rubbish - personal, political, sports - but the last couple of weeks have seen the release of a few great, great new records by bands whom I love. Let's begin with Manchester's most handsome sons, Elbow, whose new album 'The Seldom Seen Kid' came out last week, and made top 5 in the UK.

My pattern for listening to Elbow records is to just soak them in a few times, and then remembering key lyrics and phrases and quickly falling in love. It's happened four times in a row. Perhaps you've heard the rumbling bar-brawl of 'Grounds for Divorce' already. That's at the loudest end of the album - contrast with 'An Audience with the Pope' or 'The Fix', featuring Richard Hawley. Or 'Mirrorball', even prettier still, with the lyric "we kissed like we invented it" and swirling strings. Or 'Starlings', with huge bursts of brass, and "you are the only thing in any room you're ever in". 'One Day Like This' could potentially be a huge summer hit, with "it's looking like a beautiful day" and more strings.

In the middle of the record is 'Weather to Fly', a story-so-far, which joins the pantheon of incredible Elbow songs that'd probably make me cry if I saw them live. 'Scattered Black and Whites' has done it in the past. It'll knock you on your ass, it's so good.

Damn, I love this band.

[download Elbow - The Bones of You]



[elbow official site / myspace]
[buy 'the seldom seen kid' uk / preorder us]

We must break free and be ourselves

Here's something I didn't know. Colin MacIntyre, the one man behind Mull Historical Society, has a new record out, under the artist name - get this - Colin MacIntyre. And now he's got a perm. I really rate him as a songwriter. MHS' debut album 'Loss' is really, really charming and full of ace songs, like debut single 'Barcode Bypass', seven minutes about how a rural supermarket closure leads to disquiet among an older couple. Also, the album cover features a dog in a wig. His arrangements, lyrics, everything, have always been great. The band's two subsequent albums were also solid, if not as strong as 'Loss'.

So now, apparently, four years after the last one, Colin has a new album out called 'The Water', and has ditched the MHS brand for some real name shenanigans. 'The Water' continues Colin's strong run - it's more direct, more rockin', and more lyrically aggressive than anything before. The targets may be a little broad (religion on 'Future Gods and Past Kings', a song called 'Famous for Being Famous' which, in its defense features the great refrain "Hello! OK!") but there's much to admire. 'Stalker' has a similar sound to 'Delivery' by Babyshambles, without the haze of drugs and tabloid overexposure. 'Pay Attention to the Humans' features a guest spot from Tony Benn. Tony Benn! And the first three words in 'Camelot Revisited' are "I don't know" sung exactly the same way as a recent Oscar winning song.

There are significant advances from the MHS says on 'The Water', but again, for a non-showy but consistently enjoyable listen, you could do a lot worse. Don't think there's any U.S. release lined up, check the official site to buy it digitally. There's a digital player for the album embedded here, too, hopefully it shows up and you can listen to thirty seconds of each track.

[download Mull Historical Society - Barcode Bypass]
[download Colin MacIntyre - Stalker]





[Colin MacIntyre official site / myspace]

My yarns will keep me warm

Kimya Dawson

Gainesville Reitz Union Amphitheater
March 21, 2008

Kimya Dawson
means business. On her massive current tour, she's playing NINE shows in the state of Florida. As I've often lamented on these pages, touring bands rarely play any shows here. And she's doing nine? This is a woman who's just appeared on a number one album, for the love of Pete! Lady sure is dedicated.

Now, many years ago I caught the Moldy Peaches at the Reading Festival, and even among my circle of friends, they really divided opinion. Some of us thought their show charming, silly and fun, while others grew bored, nauseous and borderline sociopathic at what they saw as overbearing precious people in rabbit suits playing songs about shit and piss. Seriously, my friend John would've killed Adam or Kimya if he saw them.

Since then, Kimya has put out a few solo records, which have moments of real darkness and sadness - 'The Beer' and 'Underground' are particularly intense at the show - as well as a kids album and various other projects. The set draws from many different places - no Moldy Peaches songs, though - and the audience was politely receptive the whole time, but it was clear that 99% of everyone - myself included - only really knew the 'Juno' songs. The show stayed on the right side of the charming vs. nauseating thin line - plenty of stories and jokes from the performer, she took requests only from people who raised their hands first, often giggling mid-song, and having the Paul Baribeau - as mentioned on 'Tire Swing' - came along to sing along on 'Tire Swing'.

Things went a little off-beat, though, when she invited "interpretive dancers" for one song toward the end. One girl kept opening and closing a towel. But by the finale, an almost singalong for 'Loose Lips', people were on their feet, and dancing and it was fun without feeling too cutesy. I don't know that I'd pay to see her play, but for free, at a cool outdoors amphitheater, it was a fun way to spend a Friday night.

[download Kimya Dawson - The Beer]



[Kimya Dawson myspace / official site]

Spring Break list

- Stop shaving, everyone! My Morning Jacket are back, and here's their SXSW set, complete with new songs, and without 'It Beats For You'. [NPR]
- The union between Archie and Jarvis Cocker has finally taken place. [Chris's Invincible Super Blog]
- Nice article about how there are too many words in pop music these days. Words like, oh I don't know, 'Shawty' or 'Yahhh!'. [Slate]
- Dunno if you saw them on Letterman this week, but here's a full live show from British Sea Power. The good news? They still play 'Carrion' [Waves and Wires]
- Someone watched 'Hitman' so you don't have to. [AV Club]
- DiS meets Godlike Genius Efrim Menuck [Drownedinsound]
- So the new Tim Bisley is... Robin Williams meets Matthew Perry. This can only continue to go well. [Hollywood Reporter]
- 'Apatow's Cohorts Making Muppet Movie' is the headline. If they desecrate my beloved Sam the Eagle, there will be punches a-flyin'. [I Watch Stuff]
- Carrie Brownstein really nails how I feel about the perfectly okay Vampire Weekend. [Monitor Mix]
- Finally, the new Mystery Jets video will cheer you up. Even if you're already happy.

No one you know is in the know

'Oh Your God'.

This is the one. 'The Architect' took a few unravellings before it started to seep in. 'Slow' is even better, with the lady from the Knife coming in and being sexy, over nice drums and sexy bass. Also, there's a sexy video that you can download for zero money.

But 'Oh Your God' is first 'Vantage Point' song to get me straight away. With drums that don't quite fit, this is the first song they've done in years that sounds like it'd fit on 'In A Bar, Under the Sea'. That is to say, it's a little nuts. "Did 34 pushups, shoulda done 68" is the lyric that stuck with me. The album is just a month away.

New dEUS. What a time to be alive.

[download dEUS - Oh Your God (web rip)]


[Official site / Myspace / Pocket Revolution]

We spraypaint honky-lips on their garage door

As you probably know, I talk about The Best Show on WFMU a lot on these pages. So, it was very nice to see that sites far more popular than mine gave the WFMU marathon some coverage today. I asked you to pledge a few days ago, and there's still time, people!

The show had Ted Leo, Patton Oswalt and Ben Gibbard (Death Cab for Postal Service) in the house, and they brought the noise. Patton's "Famous Flamer from Fresno" had me laughing so hard, I almost woke up a housemate.

There were cover versions. Watch videos here.

I made an mp3. It's below. Enjoy. And pledge, you creeps!

[download Ted Leo, Ben Gibbard, Tom Scharpling and Patton Oswalt - Take A Chance on Me]
[download Ted Leo - Chain Fight Tonight] - BONUS COVER OF THE GORCH. HOW'S ABOUT IT!

Gone Gone Gone: The Notwist are back

I generally try to avoid posting songs that I know are available on every other music site out there. Honestly, you don't really need me to tell you to listen to the new Hot Chip or Gutter Twins or Vampire Weekend or whatever. But today I'm making an exception. I'm sure this will be all over the web, because everyone's on the same record label mailing list, but since the last album The Notwist put out is my favourite of this decade, I don't mind joining the throng.

'The Devil, You + Me' will be out in the early summer, and that is exciting news for you, me and the Devil. There's a new song posted below, and it looks like the title track is one that I posted over a year ago. Way to go, me! The press release says:

The band recorded portions of the album with the ANDROMEDA MEGA EXPRESS ORCHESTRA, a way out, 20+ headed classical orchestra that specializes in exciting and sometimes bizarre avant classic interpretations of modern jazz, which compliments perfectly the album's mood and themes of love, loss, alienation, planetary alignment, the positive side to deception, death, refusal and the titular Devil.
Tell me that doesn't sound amazing. I'm very excited to hear this record, enjoy the track.

[download The Notwist - The Devil, You + Me (live and acoustic)]
[download The Notwist - Good Lies]

I'm Bill Murray, you're everyone else

I've seen quite a few films lately. Here, I'll write about them.

Michael Clayton: Finally! A film that tells the truth, that the legal industry - my destination of choice - may be actually quite shady! But seriously, Tony Gilroy, a man who can probably make my daily walk to the mailbox seem tense and dangerous (this is a compliment) wrote and directed a solid, if unremarkable thriller in which George Clooney didn't come off as smug. The plot keeps ticking along nicely, though I imagine that non-law-students may have been a little lost/bored at times. Tilda Swinton won the Oscar, but I wish Tom Wilkinson had too, because he was great in it. Which leads us nicely into...

Dedication: I have real trouble with films in which the main character is entirely unlikeable. This indie stars T-Wilks, briefly, along with Billy Crudup and Mandy Moore. A pretty standard socially-awkward-guy meets free-spirited-pretty-girl-with-her-own-skeletons story, except this socially awkward guy is a rampant misanthrope who's angry at everything. There really wasn't much to like in the film, so stay away.

Persepolis: I've been getting through the graphic novels very slowly (thank goodness for boring classes), so I was glad to finally see the film. And it was terrific! The main thing to note here is that it's far funnier than you'd expect for a first person account of the Iranian Revolution. There's an "Eye of the Tiger" montage in there, and some Bee Gees dissing, which I am fine with. All that, and the animation is swish. Check it.



La Vie en Rose: Marion Cottilard is great, and definitely was a worthy winner of the Oscar. That aside, I didn't care for the film at all. Another pretty interesting real-life story was lost in a very run-of-the-mill drugs/sing/yell at everyone/cry/sing some more/yell at everyone/be old/repent cycle. Also, following Basil Fawlty's instructions, they completely failed to mention the War at all, which was a really odd and conspicuous omission.



The Savages: This film was really heavy, but not heavy in the way a good funk song is heavy. Caring for a parent who's in the throws of dementia is terrifying, and Hoffman and Linney were great and the script really got across their fears and vulnerabilities well. It was just so dark that I had trouble getting much enjoyment out of it. Sorry.



Great World of Sound: Nice idea, low key indie film. It didn't really do much for me, I've got to say, but the dynamic between the two leads was pretty good. The musicians in the film didn't know they were being filmed for a movie, and so all the auditions are completely natural, which is a nice touch. Here's the trailer - worth keeping an eye out if you're a fan of producer David Gordon Green.



Meet the Spartans: Well, I promised I'd see it. No real shocker to say that it wasn't very good, but I was disappointed to see at least two jokes recycled from Epic Movie. This time they throw in "parodies" of television commercials as well as just movies/tv shows, etc. There's an Anna Nicole Smith joke toward the beginning, which I thought was in poor taste, and it didn't get much better for the remaining hour. At least it was really, really short. Tegs, what happened to you?



Be Kind, Rewind: As you may have seen, white people really like Mos Def and Michel Gondry, and I do too. But I found this one mostly unsatisfying. The heart of the film, where they recreate old movies, is pretty neat, because Gondry has a great flair for stuff looking amazing. Unfortunately, the set-up and the ending are really clunky. Check out the Sweded films on their site - especially Gondry's own reworking of the movie trailer, and that's most of the joy of the flick. Better luck next time. Oh, and it's always worth giving a shout-out to Adam and Joe, who did similar stuff years ago. Only, they did it with toys.



The Good Night: I don't know what to tell you. This one was all over the place. Terrible, despite the fact that the first voice you hear, and the first face you see, belong to this man. The characters are all whiny and unlikeable, the plot is so muddled and baffling as to make me furious, and nothing good happens at all. There are people involved here that I like - Martin Freeman, Simon Pegg, Penelope Cruz - but it's a train wreck. Avoid like schoolteachers at bus stops.

You look desperate! You look pathetic!

Having paid my dues as a teenage indie kid with a barrage of pretty terrible hair cuts, I really see the appeal of Cardiff's brightest young things Los Campesinos!, whose debut album 'Hold On Now, Youngster' dropped this week in the UK. It's giddy, fast, often tracks blend into one another, it's hard to retain whole songs but various lyrics stick in your head. Then you listen to it as many times as I have, and it's a joy. Walking around in the glorious sunshine listening to this album on headphones yesterday was great fun. Especially the parts where shouting becomes mandatory. Phrases like "It's not what you like it's what you're like as a person" or "We have to take the car cos the bike's on fire!" or "We! Are! CONTENT!" or just counting really loudly. Even the album's darker sentiments are buried under bouts of giddy guitar and synths work. There's a lot going on in forty-two minutes, and that it's a great album without 'The International Tweexcore Underground', and that 'You! Me! Dancing!' isn't the best song on here says a lot. That'll be 'Sweet Dreams, Sweet Cheeks', which like the opener, is about sixty times faster than its original demo, and features the gleeful refrain "One blink for yes, two blinks for no!" What are these guys, Jean-Dominique Bauby? I've been waiting to make that joke for weeks. Elsewhere there's a lyric about the Breakfast Club that's pretty sweet, a song called This Is How You Spell "HAHAHA, We Destroyed The Hopes And The Dreams Of A Generation Of Faux-Romantics", references to Meanwhile, Back in Communist Russia, livejournal and a song with "unison" in the title. 'Hold on Now, Youngster' is an album to listen to loads and loads of times, so why don't you do that?

There's an embedded video below. I hope you watch it!



[download Los Campesinos! - Sweet Dreams, Sweet Cheeks (old version)]

Los Campesinos - official site / myspace
Buy 'Hold On Now Youngster' UK

I'll have a solution

Hold onto your hat - it's new dEUS time! No time for my opinions right now.

The song is about Buckminster Fuller, this handsome man.

Thoughts?
(Hit the little 'play' button)

dEUSThe Architect

Tom vs. Everyone

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